Theri rests entirely on Vijay's shoulders, feels S Saraswathi.
The 90th Annual Academy Awards have been announced. A quick glance at the winners, listed in bold.
A look at the hits and misses of the week.
The 13th edition of Mumbai International Film Festival honoured several women documentary filmmakers recently.
Jaane Bhi Do Yaaro, Parinda, 1942: A LOve Story, Devdas, Kareeb, Mission Kashmir, Munnabhai MBBS, Rang De Basanti, Delhi 6, Bhag Milkha Bhag, Kalank... all bear the visual stamp of Binod Pradhan's genius.
Director Ashwin Saravanan's Maya is a gripping supernatural thriller. S Saraswathi recommends.
If a film has its heart in the right place, it *will* weave magic on the big screen. And Dhanak exactly does that.
Dunkirk may have been missed at the year's earlier awards shows, but thanks god, Chris Nolan's classic gets enough play at the Oscar noms.
Though Katham Katham moves at a brisk pace, it is predictable and long, writes S Saraswathi.
Meanwhile, the three-member committee constituted by the information and broadcasting ministry to examine the "ground situation" at Film and Television Institute of India submitted its report.
Tamil film Thani Oruvan is perfectly executed, says S Saraswathi.
'I have been a part of more than a dozen films as a cinematographer but this was the smoothest shoot of my life. There was not a single day, when I wondered how a particular shoot would be done.' Meet Running Shaadi director Amit Roy.
The Gift is much more than a boilerplate Hollywood horror film, says Raja Sen.
Director Sarkunam's Chandi Veeran is worth a watch, says S Saraswathi.
It's time to move on from fights and dances and clich, says Kshmaya Daniel.
Jayraj's Camel Safari fails to connect with the youth at whom it was aimed to.
It has been 20 years since the Kargil War. Sukanya Verma look back at Lakshya, Farhan Akhtar's memorable film that was inspired by the war in the icy heights where young Indian soldiers fought tireless battles to evict Pakistani troops from our territory.
A look at the hits and misses of the week.
A look at the hits and misses at the box office this week.
Margarita, With a Straw's is admirable in its handling of its protagonist and cerebral palsy, says Paloma Sharma.
Moothon's script won the Sundance Institute's Global Filmmaking Award. Geethu Mohandas's movie is now coming to a theatre near you.
Kahaani 2 could have been a great film, but it isn't.
Tamil film Naalu Policeum Nalla Irundha Oorum is a tedious watch, says S Saraswathi.
Bollywood makes way for regional cinema at the 65th National Awards.
All the fashion and winners' news from the recently concluded awards show, right here!
The 91st Annual Academy Awards was anything but boring, feels Aseem Chhabra.
Flirting, persistence and longingness comes alive in Mani Ratnam's Kaatru Veliyidai, feels Divya Nair.
Anaarkali Of Aarah is a tale well told.
Despite a good storyline, young enthusiastic cast and an impressive technical crew, the film barely manages to hold your attention, writes S Saraswathi
Small-town India shines right through in these movie gems.
Aseem Chhabra gives us the top films that enriched his year.
Tassaduq Hussain has always been reluctant to jump into full-time politics.
This is not your average superhero TV show, says Paloma Sharma.
Under the Copyright Act of India, computer software and software programmes are considered as literary work and can be copyrighted.
As the protagonists fall in love in The Perfect Girl... Ek Simple Si Love Story, you and I fall out of love with the film, warns Paloma Sharma.
Maharashtra Chief Minister Devendra Phadnavis on Sunday faced flak for "brokering the deal" with Maharashtra Navnirman Sena instead of enforcing law and order, amid the row around the release of Karan Johar's "Ae Dil Hai Mushkil".
